How This American Ballerina Humiliated The Russians
Maria Tallchief was one of the greatest ballerinas of the 20th century, and she helped bring it into the U.S. mainstream. In doing so, the talent not only blazed an unforgettable trail, but she also dealt with racism throughout her career, too. Though despite those prejudices, Tallchief proved that small-town American girls could jeté with the best of them.
Dominated By Russians
The world of ballet was dominated by Russians when Tallchief was learning her craft. Not only were two of the world’s most famous ballet companies based in Russia, but the country also boasted some of the best dancers at the time, too. Indeed, the mixture of technique, strength and fantastical storytelling displayed by the dancers there raised the art form to new heights.
Beneath The 'Masters'
American ballerinas were often looked down upon by their Russian counterparts at the time. And several companies teaching the artform in the latter country are still operating today, while some of the innovations endure as well. For instance, they include that now-essential bit of kit: the tutu.
A Changing Norm
The Romantic movement over a century earlier saw ballerinas begin to wear more revealing attire and perform narratives revolving around folklore spirits and traditional culture. Hand-in-hand with those elaborate outfits came more dramatic, impassioned performances, which in turn demanded ever higher standards of virtuosity among the dancers.
Dancing From The Beginning
The aforementioned culture within the ballet world endured many years later as the young Tallchief began dancing at the age of three. Though right from the start, the little girl had two unique traits which may have worked against her dreams of becoming a ballerina. Not only was Tallchief an American, she was also bi-racial.
